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Paolo Pasolini The Gospel According to St Mathew   was filmed mostly in the poor, desolate Italian district of Basilicata, and its capital city, Matera.His film would argue: Jesus was a radical whose teachings, if taken seriously, would contradict the values of most human societies ever since. Paolo Pasolini Salo 120 Giornate di Sodoma https://vimeo.com/68045309ppp Paolo Pasolini Salo 120 Giornate di
Sodoma.It is based on the book The 120 Days of Sodom, by the
Marquis de Sade. The story is in four segments, inspired by
Dante’s Divine Comedy: the Anteinferno, the Circle of Manias,
the Circle of Shit and the Circle of Blood. Director John Waters
“Salo is a beautiful film…it uses obscenity in an intelligent
way…and it’s about the pornography of power.” Фильм является вольной экранизацией «120 дней Содома» Маркиза де Сада. Первая часть незавершённой «Трилогии смерти», в которую также должен был войти фильм Porno-Teo-Kolossal (не завершён). Фильм состоит из четырёх частей, основанных на Божественной комедии Данте Алигьери: Преддверие ада (итал. Antinferno), Круг маний (итал. Girone della manie), Круг дерьма (итал. Girone delle merda), Круг крови (итал. Girone del sangue). Фильм также содержит частые ссылки на произведение Фридриха Ницше Генеалогия морали (1887), стихотворение Эзры Паунда The Cantos, а также magnum opus Марселя Пруста В поисках утраченного времени. Medea (1970) by Pier Paolo Pasolini who conveys the Euripides’s Medea’s plot as true visual myth

теорема пазолини Theoreme (1968) Pasolini  intended to be theoretical in this film of  an ambivalent guest, a stranger

I racconti di Canterburyppp

Eight of Geoffrey Chaucer’s lusty tales come to life on-screen in Pier Paolo Pasolini’s gutsy and delirious The Canterbury Tales, which was shot in England and offers a remarkably earthy re-creation of the medieval era. From the story of a nobleman struck blind after marrying a much younger and promiscuous bride to a climactic trip to a hell populated by friars and demons (surely one of the most outrageously conceived and realized sequences ever committed to film), this is an endlessly imaginative work of merry blasphemy, framed by Pasolini’s portrayal of Chaucer himself. Ecce Homo & Salo & PPP murder story by Ferrara

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